Buck Theorem's Hide-out

Coleman Francis, 1961, USA To the "bad film" aficionado, there is nothing quite like the consummate incompetence of an old B-mons...

JAMES BOND... and me. Growing up in the seventies and eighties, it's inevitable that I grew up with Bond in some way. Bond sign-posted s...

CASINO ROYALE Ian Fleming, 1953 ~ What is most alarming about Fleming's novel and Bond, and what causes reservations about the romp, is...

CASINO ROYALE Ian Fleming, 1953 The novel - What is most alarming about Fleming's novel and Bond, and what causes reservations about the...

300 Zack Snyder, 2006, USA Finally, I get to see " 300 ", a film so fuelled by testosterone, it made me want to oil myself...

JAMES MORRIS MUSIC http://www.myspace.com/jamesthemorris More spaced-out than spacey, James Morris is making some great bedroom ambience. Li...

Martin Campbell, 2006 Ah, the new Bond. Some critic said that it has the best opening sequence... since when, compared to what, I don...

END OF YEAR FILM ROUND-UP I was kick-started on my end-of-year retrospecive by seeing that "Sight and Sound" critics voted ...

RICHARD LAYMON: “BITE” When I was about, oh, fourteen, I made a shift from science-fiction to horror literature. I was on holiday somewhere...

Growing up with ... JAMES BOND Growing up in the seventies and eighties, it's inevitable that I grew up with Bond in some way. Bond sign...

The Knife "Pass This On" From the opening of electronica-with-Carribbean leanings, I knew this was going to be some...

Sonic Youth "Little Trouble Girl" And I've always loved slice-of-American-life grunge too. Being British, it's a bit o...

Belle and Sebastian "Lazy Line Painter Jane" This was a blind buy, I recall: Hey, let's try out Belle and Sebastian, I th...

Welcome to Buck Theorem at blogspot. I was over at spaces.live, but decided a move was best... for... some... reason. Sometimes, it's ni...