Buck Theorem's Hide-out

Om jag vänder mig om Björn Runge - 2003 - Sweden Swedish melodrama by Bjorn Runge based around three couples and a night of secrets, shoutin...

Sam Raimi, USA, 2009 -I- Anecdotal evidence suggests that Raimi’s latest is a real crowd pleaser. Friends tell me that they saw it in a pack...

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a.k.a: The Pararsite Murders; They Came From Within David Cronenberg, USA, 1974 The culmination of the themes begun by Cronenberg’s earlier...

THE WARRIORS Walter Hill, 1979, USA The first thing that you find when starting in on Walter’s Hill’s ‘ultimate’ version of "The Warr...

Bad ma ra khahad bord Abbas Kiarostami - 1999 - Iran/France Although it relies upon natural action rather than dramatic narrative, Kiarostom...

DESPERATION Mick Garris - USA - 2006 The first half is fair enough, with the demonic sheriff rounding up random people who just happen to b...

THE CRAZIES George A. Romero - USA - 1973 Romero’s less grisly but disturbing variation/development of the themes of "Night Of The Livi...

ANIMAL FACTORY ~ Steve Buscemi, 2000, USA "R apture" ~ Antony So you’re just settling into this prison drama with some top notch ...

Danny Boyle, 2008 1 - DANCING AND DENIAL: Danny Boyle says that he didn’t see the dance sequence in "Slumdog Millionaire" as a hom...

Darren Aronofsky - 2009, USA - France A fine, winning film, Darren Aronofsky's "The Wrestler" treats it’s generic narrative wi...

CREEPSHOW George A. Romero, 1982, USA -1- "Creepshow" has a prologue that is a candidate for the best horror film opening ever. He...

FUNHOUSE So the end result appears to be that Tobe Hooper’s best are his debut, the seminal "The Texas Chainsaw Massacre", and hi...

Ingmar Bergman, 1966 What you hardly read about Bergman is that he is often scary. If you are looking for a precursor to David L...

Death in Venice Renowned masterpiece of mood and décor, nearly dialogue-free except for some flashbacks featuring hyperbolic, quite hammy ar...