Guillermo
Del Toro’s Pinocchio
Directors – Guillermo
del Toro, Mark Gustafson
Writers – screenplay
by Guillermo del Toro & Patrick McHale based on the book
"Pinocchio" written by Carlo Collodi
Stars –
voices: Ewan McGregor. David Bradley, Gregory Mann, Benjamin Evan Ainsworth
But Del Toro
can’t help but lean towards horror (yes: the giant crucifix too) so you have
the horror of war – fanatical, filicidal fascism – but also the creation of Pinocchio
is not that far away from ‘Frankenstein’ and the melodramatic
shadow-play of German expressionism. I quite liked ADD Pinocchio spinning and
twirling through a world trying its best to break into bleakness and horror
tropes, his naivete his immune system. To this, Benjamin Evan Ainsworth’s
exuberant voice-work for our wooden protagonist seemed appropriate and good, although
I have a friend who couldn’t stand it. And therein perhaps lies the issue: you
do have to go with all the “magical-ness” and the vergence on the twee at
times, depending upon your taste, as that is what seems popular. And it’s easy
to be impressed by the award-winning stop-motion – because that’s always
awe-inspiring work (even in its shabbiest form). The model work, the tangible
quality, the knowledge of the painstaking skill and patience it takes means
stop-motion has the edge as a visual medium.
The changes
to Collodi’s original tale are interesting – no donkeys; Del Toro’s sensibility
dominates – takes a little time to settle, seems to lose interest in its
musical agenda, pleasingly dark anti-fascist fairy tale, thematically heavy, but
if the sentiment and a tone of neediness (after all, it is "Del Toro's Pinocchio') isn’t to your taste, then you may find it lacking.
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